Higher Dimensions: Unterschied zwischen den Versionen
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These examples show one of the main characteristics of mathematical thinking: If it is easier or helpful to describe real phenomena in higher dimensional space, the three special dimensions can be extended. This can easily be explained under formal aspects. Thus, linear equations with three variables may be interpreted as a plane in space, linear equations with four variables are interpreted as a three dimensional hyper plane in a four dimensional space. Also, linear equations with n-variables are interpreted as an (n-1)-dimensional hyper plane in an n-dimensional space. While using more than three variables, the advantage of such an expansion of the dimension-concept benefits from a simpler and more consistent description of mathematical relations. It is not necessary for formal calculations on an algebraic and numerical level to have illustrative perceptions in such a higher dimensional context. Nevertheless, on the one hand this leads to the question how to translate the results of such considerations into the real world. On the other hand there is a need to describe at least basic objects of higher dimensions in our three dimensional space. | These examples show one of the main characteristics of mathematical thinking: If it is easier or helpful to describe real phenomena in higher dimensional space, the three special dimensions can be extended. This can easily be explained under formal aspects. Thus, linear equations with three variables may be interpreted as a plane in space, linear equations with four variables are interpreted as a three dimensional hyper plane in a four dimensional space. Also, linear equations with n-variables are interpreted as an (n-1)-dimensional hyper plane in an n-dimensional space. While using more than three variables, the advantage of such an expansion of the dimension-concept benefits from a simpler and more consistent description of mathematical relations. It is not necessary for formal calculations on an algebraic and numerical level to have illustrative perceptions in such a higher dimensional context. Nevertheless, on the one hand this leads to the question how to translate the results of such considerations into the real world. On the other hand there is a need to describe at least basic objects of higher dimensions in our three dimensional space. | ||
− | In the following, thoughts dealing with the development of representations of higher dimensional objects will be discussed by exemplarily considering a four-dimensional object, the four-dimensional cube. It will be shown that the approach to four- and higher-dimensional cubes can be done in different ways. The extensive use of analogical considerations serves as a basis for understanding higher dimensional objects. In the following, three different approaches will be shown and analyzed. | + | In the following, thoughts dealing with the development of representations of higher dimensional objects will be discussed by exemplarily considering a four-dimensional object, the four-dimensional cube. It will be shown that the approach to four- and higher-dimensional cubes can be done in different ways. The extensive use of analogical considerations serves as a basis for understanding higher dimensional objects. In the following, three different approaches will be shown and analyzed<!--A detailed description of these approaches is found in Ruppert (2010)-->. |
(1) A systematic extension of the concept of coordinates,<br /> | (1) A systematic extension of the concept of coordinates,<br /> |
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Looking for the next dimension
Does our world really have more than three dimensions? If so, do objects in higher dimension have a relation to the world around us? Is it possible to get a perception of these objects or do they withdraw any representation? Questions like these will be posed by students if you talk about space dimensions in school. Students want to understand the meaning of a four-, five or even n-dimensional space. The relativity theory uses four dimensions to explain the concept of space-time, six dimensions are necessary to describe the bending of space-time and different string theories even use representations in up to 26 dimensions (e.g. L. Botelho, R. Botelho, 1999). Another current domain of application for higher dimensional objects and their three-dimensional representations is the study of non-periodic structures in modern crystallography. Within the concept of quasicrystals projections of higher dimensional point-sets (such as the integer-lattice in dimension 5) to three dimensional space are supposed to be good models for non-periodic crystalline structures (see section 5 below).
These examples show one of the main characteristics of mathematical thinking: If it is easier or helpful to describe real phenomena in higher dimensional space, the three special dimensions can be extended. This can easily be explained under formal aspects. Thus, linear equations with three variables may be interpreted as a plane in space, linear equations with four variables are interpreted as a three dimensional hyper plane in a four dimensional space. Also, linear equations with n-variables are interpreted as an (n-1)-dimensional hyper plane in an n-dimensional space. While using more than three variables, the advantage of such an expansion of the dimension-concept benefits from a simpler and more consistent description of mathematical relations. It is not necessary for formal calculations on an algebraic and numerical level to have illustrative perceptions in such a higher dimensional context. Nevertheless, on the one hand this leads to the question how to translate the results of such considerations into the real world. On the other hand there is a need to describe at least basic objects of higher dimensions in our three dimensional space.
In the following, thoughts dealing with the development of representations of higher dimensional objects will be discussed by exemplarily considering a four-dimensional object, the four-dimensional cube. It will be shown that the approach to four- and higher-dimensional cubes can be done in different ways. The extensive use of analogical considerations serves as a basis for understanding higher dimensional objects. In the following, three different approaches will be shown and analyzed.
(1) A systematic extension of the concept of coordinates,
(2) Projections of higher-dimensional objects on (hyper)planes,
(3) Intersections of (hyper)cubes and a (hyper)plane.
Geometry of coordinates
The unit line segment and the unit square can be considered as a one‐ or two‐dimensional analog of the unit cube. Looking at the coordinates of the vertices in a coordinate system, we get
By successively adding additional coordinates with coefficients 0 and 1, the coordinates of the vertices
and thus the number of vertices of a unit hyper cube in a four‐ or five‐dimensional coordinate system
are obtained. The transition to hyper cubes in higher dimensions can exclusively be accomplished on a
symbolical level and can be considered as a continuation of the concept of the coordinates.
Combinatorial considerations lead to the following relation for the number N(n;k) of the k‐dimensional
“boundary cubes” of an n‐dimensional cube (see e. g. Graumann, 2009):
This formula can be obtained by the following observations:
- Every k‐dimensional “boundary‐cube” is parallel to a k‐dimensional hyperplane which is spanned by k generating vectors of the n‐dimensional cube (see also sec. 3). As a consequence, the coordinates of vertices belonging to one and the same k‐dimensional “boundary‐cube” differ in at most k coefficients (and all such vertices belong to this cube).
- There are possibilities to choose k coefficients out of n.
- There are 2n possibilities to choose a "starting vertex".
- There are 2k starting vertices leading to the same boundary cube.